A little bit of All Right

As an Austinite, it’s my good fortune to enjoy a lot of good music any time of the year. So, waiting until the last few hours of SXSW to enjoy a few of Alejandro Escovedo’s friends at one of my favorite venues, the Continental Club was a good way to prep for the long anticipated Baton Rouge Blues Festival in April.

Big Sugar rocks that NOLA vibe with a funky, reggae beat, definitely all right.  The Iguanas are another LA favorite at the CC.

LP3 and the Tragedy brought their So Cal Americana sound  with strong harmonies from Louie Perez III on lead guitar and Ruby Rosas on bass, rocking a nifty green sequined dress.

LP3andtheTragedy I was on my way out and didn’t catch much of their act, but I liked what I saw.

The band I enjoyed the most was an indie punk band from Kansas City, MO – Pedal Jets.  Always a sucker for power chords and Iggy Pop vocals, I can appreciate these seasoned stage warriors hitting their stride 30 Pedal_Jetsyears after their debut in 1984.   From their website:

Originating in Lawrence, Kansas in 1984, the Pedaljets returned to the studio in 2012 to start work on the critically acclaimed “What’s in Between.” The album was mixed by John Agnello (Okkervil River, Kurt Vile, Sonic Youth, Dinosaur Jr., etc.) at Headgear Studios, Brooklyn and packaged in the inventive design-work of The Sea and Cake’s Archer Prewitt, each song is at once vintage Midwest in-your-face rock and a totally new approach to what is timeless, resonant and beyond conventional formulaic alternative pop and rock. The guys have learned something after all these years. What the hell… From their beginning, the Pedaljets toured the country nonstop, often opening for the likes of Hüsker Dü, Flaming Lips, The Replacements, Meat Puppets, and other usual suspects of 1980s alternative/punk America, releasing two albums—Today Today (1988) and Pedaljets (1989), both albums receiving solid national attention and acclaim.

I look forward to seeing them again, maybe in Kansas City, a cool town with a great art scene.

Alejandro Escovedo tests String Theory at Strange Brew

TrioIt’s been awhile since I’ve seen Alejandro Escovedo live so I jumped at the chance to see him in an intimate venue, lougeside at Strange Brew.  As I suspected, it was an acoustic show, with Warren Hood accompanying him on violin and the incomparable Brian Standefer, a long standing member of Alejandro’s orchestra, on cello. The room was packed, both sitting and standing and judging from the applause, with long time fans. I’ve seen the True Believers, Buick McKane, Alejandro’s Orchestra, Rank and File and the Sensitive Boys.  In every case, he rocked – which he does just fine with a cello and violin, as his orchestra shows in this video from Bonnaroo in 2009.

So how did he get that edge with only an acoustic guitar, violin and cello? They all took turns being the drum.  Granted, Alejandro’s rhythm guitar (and guitar body) did most of the time keeping, but the violin and cello provided an amazing array of textures and back beats.Brian_Standefer Syncopation aside, the silver string posse (whom Alejandro thanked profusely and often) drove us to our feet by their sheer virtuosity and the tripped out intensity of their soaring riffs. They were possessed by the music, reminding me of another time I saw someone so spellbinding.  I caught harmonica player Sugar Blue playing with Willie Dixon at the old Club Foot (now long gone) in a jaw dropping performance – Pan personified.
GuitarWarren Hood is a more recent addition to Alejandro’s roster.  I haven’t yet seen him with his fusion new grass band, the Hoodlums but have fond memories of seeing his father, Champ Hood play with equal versatility.  Susan Voelz is the rock violinist who normally tours with Alejandro, but I am so glad to have seen Warren and Brian Standefer throw down.WarrenAlejandroThe battle of the strings was fierce, truly mesmerizing. I didn’t take any video footage but sure wish I had.

Of course, there were the stories. With a mixture of songs like the raucous “Everybody Loves Me” shown above, the taut, political lament “Sally Was a Cop” and soulful ballads like Arizona, the small listening room was a perfect setting for the journey we took with Alejandro.  From the time he left San Antonio with his family as a child (he is the 7th of 12 children) to growing up in California, then as a punk rocker living in the Chelsea Hotel in NYC with the Sex Pistols, and back to Austin, we were part of his crooked frameAlejandroWe remembered days when the flow of migrants in an out of Mexico was easier, when his father left Saltillo to find his parents in California.  Alejandro’s wife Bobbi’s suicide and his own near fatal illness were part of a story that connected the styles, times and vagaries of Alejandro’s Hard Road.  All the stories kept coming back to the way music healed him emotionally, when medication, therapy and alcohol  could not.  Truth, a passionate heart and the poetry of life are the real gifts of this artist and why we keep coming back to see what’s new in Alejandro’s story.Alejandro Escovedo

The Cat in the Hat is Back – an evening with John Waters

John_Waters002_n2ex5tWhat can I say about the fast talking cat stalking the stage at ACL’s Fun Fun Fun Fest?   Twirling me back through five decades of 20th century camp in 90 minutes, then plopping me SMH and LOL back into the 21st before I could even catch my breath?  How could this dervish simultaneously weave the best and worst of film, culture, style and taste so deftly, not just from his own life but as a time capsule for all of us  who lived those halcyon daze of sex, drugs and rock n roll?  The Prince of Puke is no hero, he is a living incarnation of The Trickster, a wily outlaw who has managed to age well and live long enough to enjoy the success so many of his friends died too young to know.  An outsider, he now decries his insider status, asking “What can I do to be bad at 70?” He claims to be no friend of irony, preferring the overt, and insists when anyone in the  audience vomits at a show , it’s like a standing ovation.

Irony ruined everything. I wish my movies could have played at drive-ins, but they never did, because of irony. Even the best exploitation movies were never meant to be ‘so bad they were good’. They were not made for the intelligentsia. They were made to be violent for real, or to be sexy for real. But now everybody has irony. Even horror films now are ironic. Everybody’s in on the joke now. Everybody’s hip. Nobody takes anything at face value anymore.04SEUSS1-articleInline

My daughter and I went together, as she became a fan at an early age.  Why did I  watch Pecker and Cecil B. Demented with my then teenage daughter?  So she would see the edgy, iconoclastic camp that paved the way for Pee Wee’s Playhouse and the Brady Bunch movies as middle America found a place for queers on TV.  John Waters’ guest appearance on the Simpsons helped us face our fears of the gaying of America. So how did he become a beloved oddity?

The transformation from Pope of Trash to Cat in the Hat has been slow and steady. But there’s nothing slow about John Waters – he was pacing so fast every picture I tried to take was blurry. His fearlessness, honesty and playfulness sheds light into dark spaces, all puns intended.

Paper magazine featured a totally hilarious compilation of John Water’s greatest quotes, a must read. I think he has continued to gain in popularity by weaving together that which is ugly and beautiful, in good and very bad taste while insisting we laugh, and love without judging.

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Sunday Saunter at the Blanton Museum of Art

Sunday afternoon with good friends enjoying art and music in the beautiful gallery of the Blanton Museum of Art on the UT Austin campus.

BlantonGalleryI’ve included a photo gallery and posted a video of one of the kinetic sculptures in La línea continua, a selection of approximately 70 works from the Judy and Charles Tate Collection of Latin American art.

R. Buckminster Fuller and the Power of Belief

I had the good fortune of seeing The Love Song of R. Buckminster Fuller , a live documentary produced and narrated by Sam Green, with accompaniment by Yo la Tengo, one of my favorite bands.

While Bucky is known for his visionary projects, earning him a place as one of the greatest and most prolific minds of the 20th Century,Bucky Fuller it was his message of hope and compassion that left the deepest impression on me. I felt like I had seen the true meaning of Christmas after enjoying this wonderfully textured live tribute. This is what motivated Bucky to travel the world and to continue his work on behalf of humankind (I use that term wistfully).

He endured both victory and defeat in his long and remarkable journey, even contemplating suicide after the death of his daughter and the loss of his business. At that point he had an abrupt realization that he had no right to end his life and dedicated his life to the advancement of humanity. He is best known as a design science genius, his vision is predicated on the interrelatedness of life on spaceship earth. Synergetic thinking provides the foundation for his approach to design science.

“The function of what I call design science is to solve problems by introducing into the environment new artifacts, the availability of which will induce their spontaneous employment by humans and thus, coincidentally, cause humans to abandon their previous problem-producing behaviors and devices. For example, when humans have a vital need to cross the roaring rapids of a river, as a design scientist I would design them a bridge, causing them, I am sure, to abandon spontaneously and forever the risking of their lives by trying to swim to the other shore.”- R. Buckminster Fuller, from Cosmography

Bucky left us a library of his life, the Dymaxion Chronofile, which is housed at Stanford University. Anyone can view this remarkable collection, a history of his daily life and all of his projects.

His belief that we can create a sustainable and kinder civilization can seem naive in these time of starkly unequal resource distribution. But if we don’t believe that we can create a better world, then we will be prey to the culture vultures already circling to take advantage of our ennui or despair. We must rededicate ourselves as Bucky did, to working with the earth and each other in service to the greater good if we are to realize our full potential as humane beings.

Magically Real

SwimmerAs we think about Gabriel Garcia Marquez let us consider this description of magical realism from his Nobel acceptance speech:

“Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination. For our crucial problem has been a lack of conventional means to render our lives believable.”

Truer words were never spoken. Magic can manifest in many ways and if you are a dreamer you can be assured it will. Sometimes it happens in times of peace, often it will occur when life has you by the throat. Because then, you must grow or die.

“Reality is also the myths of the common people,” Mr. García Márquez told an interviewer. “I realized that reality isn’t just the police that kill people, but also everything that forms part of the life of the common people.”

Being a common person, I’ve found sustenance in the little things of life – in nature, art and in light.

Like Isabel Allende, Tom Robbins, Carlos Castaneda and Paulo Coelho, Marquez opens the mind’s eye, reminding us to consider the mystery that is life. I include below a story of my own magical journey, one among many that taught me  to live with a sense of wonder.

The Magic of Blunn Creek

There are places in life that bear silent witness to our growing pains, like a tree house or special hideaway most of us had when we were children. I think we underestimate our continuing need for such havens when we are adults, grown ups who often suffer the child trapped within. Blunn Creek, flowing through several Austin, Texas neighborhoods is my witness, the refuge for my evolution. When I was in my 20s, I lived by Stacy Park in Travis Heights. My dogs and I spent hours in Blunn Creek, which began for me then at Stacy Pool and ended at the hidden waterfall by Pecan Springs Rd. In the pale light of the moon towers, playing in their hexagonal shadows, or in golden hued afternoons, we coursed through the oaks with youthful abandon. Stacy Park holds many fond memories for me and my daughter, but it was later when I married and moved closer to St. Edward’s University, that the magic of Blunn Creek really manifested.

When I moved and started walking on the greenbelt in the Blunn Creek Nature preserve I was so grateful to be there. As I walked, my gratitude became prayers of thanks for the blessings of a new home and family. My friends and I were intrepid explorers of the preserve; an ancient remnant of the volcano that rumbled over 70 million years ago beneath what is now St. Edward’s University. Whenever I gazed at the city from the top of the volcanic overlook, I saw the far-ranging vision, the awesome perspective of geological eons. The trail became my muse, a refuge literally in my back yard, since our home flanked the greenbelt. It was a few years later that the dream of my marriage started to fade. The trail became a lifeline, my connection to the sustaining energy of the earth. A series of agonizing events, including the loss of marriage, job and home, set the stage for my eventual transformation, which was reflected in my connection to those healing woods. When I found some petrified bone chips on the trail I started a project that helped change my life.

BrLynchCoverIn July of 1997 I conducted an archeological survey of the St. Edward’s portion of the creek with the help of archeologist Rick Hubble, and my teacher Dr. Kay Sutherland. My friends Rene’ Barrera, the preserve manager and Brother Daniel Lynch, my fellow naturalist and preserve founder, were instrumental in this effort. Brother Daniel, with the help of a golden crowned night heron had convinced the city of Austin to buy the land that is now the Blunn Creek Nature Preserve when it was threatened by developers. With our discovery of a big flint core and stone chopper, I successfully petitioned the university to conduct a reconnaissance. We never found enough materials in context to justify an excavation, but maybe that was not the real reason for my search. When I am really focused on a project, my dreams often give me a glimpse of what is upcoming or of the underlying themes I may be unaware of. In one such dream, I was examining a dark brown piece of flint with a trough flaked into a circular pattern in the middle. At the top there was a very distinct crescent-shaped cutting edge. I stated in my dream, “Oh, a Nutter, commonly found in many areas of Central Texas.” The influence of Stone Tools of Texas, my primary reference source, was unmistakable. The next day I took my dogs, Queenie and Junior to Stacy Park, or north Blunn as I liked to call it then. I glanced down as we were coming up a hill by the creek and saw a piece of brown flint sticking up and thought, “Why not?” I worked it loose, brushed it off, and lo, I beheld, the rock of my dream down to every detail! The flaking, the trough, the crescent-shaped top edge were all the same. A flash of lightning shot through my body. I was transported by the feeling that I was in two worlds at once. It was as if the rock had materialized from my dream into my hand. I shouted “Wow!” to the dogs, my trusty companions, who reveled in my excitement. I suspect they understand, maybe better than we do how thin the veil between dreaming and waking can be.

Two months later, on September 15th, Brother Daniel Lynch returned to the light, a free bird. He passed on that Saturday at 4 am. The Thursday before, almost forty doves roosted in our back yard, which I have not seen before or since. Years later, as I read Carl Jung’s Synchronicity, he cited a large number of roosting birds as a fairly common synchronous manifestation in the immanent death of a loved one. Brother Daniel was the first dead person I had seen, an experience I shared with my daughter Aurora, who wanted to pay her respects. She said something truly profound as we looked at his body, so like a dry, fallen leaf. Aurora said that he had probably waited his whole life for this, to be joined with God. That was a comfort, but I was not comforted the Sunday before by a poorly handled announcement at church, and left crying. I went home and sat outside and cried for hours, mourning the loss of my saintly friend and wilderness preserves mentor. After really wallowing in it I thought again of the dig and finally had a positive thought: I decided to dedicate it to his memory and somehow continue his work on behalf of the Earth. Just as it occurred to me, a brownish/greenish-black bird flew right over, perched on my water glass and started drinking from it. It wiped its beak off on the side of the glass and started hopping off and back into my water glass. Then it got itself wet and jumped on the table, fluffing and shaking and scratching, clowning around. At one point it craned its neck and looked at me straight in the eye from its side-ways perspective. I knew it was a little Brother Daniel messenger come to give me solace. I tumped over my glass after it got stuck inside and finally, after shaking and scratching thoroughly it hopped onto my leg. Its feet were smooth like leather, and it moved sideways on my shin, stopping on my foot. After a while, I went inside for more water and came back out to find the bird still there. When I sat down it hopped onto my leg again and perched on my big toe, regally surveying the greenbelt. It was such a blessing; I had to laugh. What a joker.

The next morning I walked outside to empty the dogs’ water bucket and found, to my dismay, the toad who came out every night to play. It was bobbing on the surface like a cork, legs stretched stiffly out in four directions. “Not this too,” I thought, remembering how many times it had come out at night to play with the dogs, or in spite of them. I moved it out of the water, although it was white and stiff as a little board, and heard a burp. It blinked one eye, so I left it in the monkey grass, and then moved it into a plant, although it did not move and its limbs were still stiffly outstretched. A half-hour later, I watched it hop away. That frog had given up the ghost. You could see the disbelief on its face as it came back to life. I took it as a sign that resurrection is part of life and death. I was at a point in my life where pleasure and pain were constantly blending. Love and anger, life and death were one waking and dreaming convergence.

The foxes of Blunn Creek taught me a most valuable lesson in the spring of 1998. One day, as I was walking on the greenbelt, sinking down my tap root (a meditative technique), I thanked God for the earth, letting love circulate back into it while drawing the energy out. Pretty soon I felt like I was glowing, alight. There was a quick rustling sound to my left as I walked up the hill to the volcanic overlook. At the same time, I heard a sharp bark/growl to my right and looked over to stare right into the eyes of a large grey fox. I was so surprised that the fox had allowed me to see it, especially during the day. I spoke soothingly to let it know I meant no harm. We stared at each other for at least 5 minutes without moving, which felt like a long time. It was mesmerizing. I kept seeing the face changing, as it looked alternately like a dog yet was also catlike, with luminous yellow eyes. It was the largest fox I had seen and was still standing there staring when I turned to keep walking up the hill. I felt there was a meaning to the fox coming out in the open like that, but didn’t interpret it until later after another dreaming convergence.

About a month later I dreamt I was in a city like Chicago, with a distinctive skyline and a lake between myself and it. A plane like the kind that docks at space stations came into view wobbling and obviously in trouble. I started shouting like Chicken Little “Run, run, it’s going down!” The plane went behind the buildings and I paused in my flight, waiting to hear the explosion. As I turned around to see what was happening, an older Polynesian-looking woman, with a dark, wide face and soft features, grabbed my arm, pointed and said “Look!” The plane rose up at a 45 degree angle, with little more than a crease at the bottom. The woman said emphatically, “See?” As I stared at the plane, its license plate flashed into focus. It was my name, “Evelyn”. I felt like my life was on the rise and things would be OK, that I would not crash and burn. Two weeks later, I was talking with my friend Joe and it occurred to me very clearly that an old woman was coming to meet me. I told him, because I had felt her before, but this time I sensed her getting closer. I stayed home the following week because I was not feeling well and happened to catch an interview on KUT with a Hopi grandmother. She was traveling around the country getting people together to remind us to thank the creator for our lives and give love to the earth. I liked her tone and her simplicity and wondered if she was the woman I was to meet. Her name was Constance Mirabal.

That Friday, I went to an introductory session at Casa de Luz to meet Grandmother Connie. To my surprise, but not consternation, she was the same woman from my plane dream, not just someone who looked like her. She was very warm and kind, explaining that she was there for anyone who needed a grandmother and that the weekend prayer gathering in Wimberley was for us to participate in, not just to observe. There were people from Alaska, Kentucky, Australia, all over the world at the meeting. I spoke with her that evening and she reassured me that I should not feel weird about my animal experiences, that they were a gift that I could explore and share. I told the story in the prayer circle as I fed the sacred fire about putting down my “tap root” when I walked in the woods, drawing up the energy from the earth while giving thanks. A school teacher had spoken just before I got up and asked for help because she was so depleted and had no energy to teach any more. I was giving and gathering energy when the fox came out into the open and faced me and that was the message I was to share. I am really grateful to have the feeling and the visual image of Grandmother Connie to remind me to trust in God. She lives according to the dictates of the creator and is genuinely filled with peace and joy, willing to share with everyone.

I moved away from Blunn Creek in 2001, but go back occasionally to visit my favorite towering oak, who always reminds me to keep my tap root deep in the earth and to give thanks. Gratitude enriches me as much as my love of Nature, providing a glimpse from time to time, of the miracles that hide just beneath the lull of our daily lives. Taking those walks in the nature preserve saved my soul and my sanity. I can only thank Brother Daniel again for ensuring that the Blunn legacy was saved, and for protecting our little oasis in South Austin. I’m sure I’m not the only one with healing tales to tell.

Shelter from the storm

Seduction is the opposite of freedom. The promise of release, satisfaction and pleasure fueled the fantasy of sex, drugs and rock n’roll. It was fun, it was tragic, it was (often fatally) flawed. The hangover was a real bitch and by the time it was done, so was I.

My friends were beautiful, younger and still clubbing. They introduced me to the man who would become my husband, a man I loved and hated and eventually left, to save my soul. There were good times, many fantastic shows and a great community of friends who made sure the party never ended. It’s hard to write about a time that arouses such longing and even more regret. In the end I admitted that our love was truly in vain and that train left the station.

If you ever find yourself hating someone, you will pay the price in self-loathing. I’m still working through the dark grottoes carved into my soul, honoring the good, releasing the bad and mending the hole in my heart. If only it were this simple.

Beware of seduction, it is a lie. The only freedom is found in truth.

Austin Bucket list: Brunch at Fonda San Miguel

Stepping into the courtyard of Fonda San Miguel takes you into another time and place. Awash in rich colors and unique and sometimes unexpected art the setting is certainly a fitting tribute to the fresh and flavorful menu. Laughing_girl
I’ve battled crowds at Happy hour and somehow managed to find a cozy nook, but brunch is the signature dining experience at Fonda San Miguel. I knew it would be impossible to enjoy a light meal when we were greeted by the desserts, a delectable array of sumptuous confections spanning the north side of the table. Dessert We were fortunate to catch Chef Miguel Ravago holding court at the salad and seafood table. ChefMiguelHis running commentary was extremely entertaining, but my prime directive was to determine how I could taste as many savory dishes as possible before I paid homage to my sweet tooth. Savory highlights included the exquisite ceviche, roasted quail, spinach salad tossed in sesame oil, and the nopales. The usual suspects: tamales, guacamole, corn souffle, beans and veggies were all well represented. SeafoodSalad Chef Miguel’s primary residence is London with an eye to opening a restaurant in Paris. He presided over the table with a kind of terrible grace, knowing his power, yet choosing to be kind. Meeting him was certainly a highpoint. Veggies After breathing deeply and sipping my fifth cup of coffee, the moment had arrived. moredessertFortunately, my companions had expertise in the art of fine dining and brunch excess. Afterward, we strolled slowly through the Harry Ransom Center remembering family who had gone to War, so close, yet so far from the warmth and ambiance of Fonda San Miguel.