I continue to be a fan of San Antonio’s art museums. The Witte has been on Broadway since 1926; I remember going there on field trips as a child and every few decades since. After hearing about the new Mays Family Center exhibit Maya: Hidden Worlds Revealed I decided to see how much it had changed. I was impressed.
Many of the stations were interactive, fun for all ages. And in the fine tradition of Curly, the maitre d butler at Earl Able’s restaurant, the Witte has a robot who greets you with “Como etas.”
Entering the world of the Maya means opening your imagination to a remarkable culture that knew as much about the stars as it did the Earth and built pyramids and cities in the jungles of Mexico and Central America. Like Atlantis, it vanished mysteriously, leaving behind monumental cities, sign and numeric alphabets with sound and picture hieroglyphics and an ongoing farming tradition featuring corn, squash and beans called the three sisters. Mathematically and astronomically, they established epochal calendars without a telescope, based on centuries of recorded observations. The model city and pyramid below are from the city of Caracol, thought to have had a population of around 150,000.
There were hundreds of villages and cities, trading, warring and forming alliances, with a peak population of more than 2 million. Rulers were Gods, they gave their blood to ensure continuing prosperity while priests observed and recorded the movements of Venus, the moon, sun and stars using a 13 month calendar crafted over hundreds of years. Caves and other sacred portals to the underworld conveyed the God of Maize from death to rebirth in an ongoing cycle of resurrection, a theme common to cultures the world over.
Mayan folk paid taxes in woven textiles, an artisanal tradition alive and well today. They mined jade, used for making beautiful jewelry and as adornments embedded in teeth by dentists, whose practices flourished alongside other healers and surgeons. Advanced mathematical, architectural and astronomical insights are preserved in the few remaining codices, rescued from destruction by conquistadores and Catholic priests, who considered them the devil’s handiwork. Like the Library of Alexandria, the loss is incalculable.
Some credit the Maya with inventing the game of basketball. While there are some similarities, the stakes were much higher for the warriors at their ball courts. The ball was made of rubber, drained from trees and layered until it was an 8-10 pound missile. The players strapped on 20 pound stone waist guards and used their amazing core strength to keep the ball in play. Losers were often sacrificed and winners were richly rewarded with the losers’ wealth. The game changed over centuries of play, with some suggestion that it served as a ritual substitute for warfare. Hero Twin myths point to the origin of the game as a transitional space between the underworld and the land above. The court was a place to work out the disputes and manage competition that allowed for alliances and trade to flourish.
I highly recommend this great end of summer day trip for the whole family. It will be interesting to see how the Witte integrates the programs at the Mays Center into exhibits that have kept Texans informed and entertained for almost a century.
Cheers- it’s Independence Day, 2016. So how do we want our freedom to ring? For a few, for the many, for me and you but not them? Truth – we’re in it together – people, other living beings, the earth, our known universe.
I’m remembering Dr. Martin Luther King today and the practice of non-violence in pursuit of freedom for the people of his beloved community. He speaks of both, below:
In a 1957 speech, Birth of A New Nation, Dr. King said, “The aftermath of nonviolence is the creation of the beloved community. The aftermath of nonviolence is redemption. The aftermath of nonviolence is reconciliation. The aftermath of violence is emptiness and bitterness.” A year later, in his first book Stride Toward Freedom, Dr. King reiterated the importance of nonviolence in attaining The Beloved Community. In other words, our ultimate goal is integration, which is genuine inter-group and inter-personal living. Only through nonviolence can this goal be attained, for the aftermath of nonviolence is reconciliation and the creation of the Beloved Community.
In his 1959 Sermon on Gandhi, Dr. King elaborated on the after-effects of choosing nonviolence over violence: “The aftermath of nonviolence is the creation of the beloved community, so that when the battle’s over, a new relationship comes into being between the oppressed and the oppressor.” In the same sermon, he contrasted violent versus nonviolent resistance to oppression. “The way of acquiescence leads to moral and spiritual suicide. The way of violence leads to bitterness in the survivors and brutality in the destroyers. But, the way of non-violence leads to redemption and the creation of the beloved community.”
The core value of the quest for Dr. King’s Beloved Community was agape love. Dr. King distinguished between three kinds of love: eros, “a sort of aesthetic or romantic love”; philia, “affection between friends” and agape, which he described as “understanding, redeeming goodwill for all,” an “overflowing love which is purely spontaneous, unmotivated, groundless and creative”…”the love of God operating in the human heart.” He said that “Agape does not begin by discriminating between worthy and unworthy people…It begins by loving others for their sakes” and “makes no distinction between a friend and enemy; it is directed toward both…Agape is love seeking to preserve and create community.”
It’s time to earn our freedom from denial and work together to create the beloved community. What’s stopping us? Whatever does not make us free.
When my heart aches, wondering if we can actually become humane beings, I am grateful for the blues.
Happy 87th Birthday Miss Lavelle White. We love you.
Two months ago I attended one of the Austin Music Summit meetings at Strange Brew and met Bak Zoumanigui, an Austin podcaster and blogger. A veteran of Austin’s nightlife, his website The FeedBak features videos and podcasts from 2 am interviews, stories in the night and most recently, three excellent shows highlighting the City of Austin’s process of soliciting feedback from citizens at art and music summits. The recommendations for stabilizing the Austin creative ecosystem can be found here.
I’ve been here since the 1970’s, going to school, working at UT, the Austin Public Libraries, as a waitress, gallery assistant and unpaid artist and writer. Artists and musicians created what is a now storied entertainment scene during a time in which housing and the cost of living was kind to creatives. The same two bedroom cottage I rented in Travis Heights for $125 a month in 1976 would sell for at least $500,000 now. Affordability is one of the biggest challenges working artists and musicians face in 21st Century Austin.
This is an ongoing conversation, in the meantime check FeedBak podcasts to catch up:
FDBK Ep. 098 – Save Austin Music Part 1 – Work With The City. Do Not Rely On It
Interviews with Rebecca Farrell, an attorney at Austin Music Law and Tee Double, the founder of Urban Artist Alliance, helping urban artists learn about the business side of the music industry.
FDBK Ep. 099 – Save Austin Music Part 2 – Bet On Music Tech
Yesterday, Bak talked with Music Summit organizers at City Hall in his 100th podcast for the Feedbak. If you were not able to attend the meetings, these conversations are the next best thing. Please give them a listen and use the link in the photo below for the last in the series. Austin is striving to find ways to keep the city livable for artists and musicians. Thanks Bak, for getting the word out and please consider joining the fight and donating to the FeedBak!
Last week I had the great good fortune to meet the Hon. J. Charles Jones, a civil rights legend living in the Biddleville neighborhood of Charlotte, North Carolina. Bordered by historically black Johnson C. Smith University, Biddleville struggles to keep its character while integrating young families seeking a perch close to downtown. My daughter and son-in-law are among them and were warmly welcomed by Mr. Jones on their first day in the neighborhood. Charles lives across the street, tending to koi ponds, both indoor and in his gardens and was one of the first people in Charlotte to install a solar energy system, which provides most of his energy needs. C-Span interviewed him in 2011 about his contribution to the civil rights movement, part of their Historic Charlotte series ( linked to the photo below).
When Mr. Jones welcomed me, he told me a little about his history with the movement, his marriage of 38 years and his love of the earth and of people. His storytelling style is poetry in motion, conducting the conversation with orchestral flair. My imagination was already piqued by his lush garden and the mysterious greenhouse structure than runs the length of his family home. Charles’ openness, spiritual presence and charm are a powerful reminder that there are many humane beings in the world and that a heart to heart connection will always bring a tear to my eye. He is a wonderful goodwill ambassador, helping to build Dr. King’s “beloved community,” with love. The Historic West End Partners, neighbors and the city of Charlotte are working together to mitigate some of the side effects of increasing property taxes and keep the character of this historically rich black neighborhood alive. Support of long-time residents is important to both old and new neighbors.
This week, Representative Charles Lewis, a Civil Rights icon, led the sit in to protest obstruction to gun control legislation in the U.S. House of Representatives. The struggle for justice and equality is real, just as hard as it was in the 1960’s. When someone who has faced the blindness and the hatred of prejudice holds out his hand in friendship, it is both humbling and hopeful. The relentless media focus on hatred and violence undermines opportunities for trust and mutuality. It seems, lately, that we have taken several steps backward: in women’s rights, voting rights, civil rights, LGBT and labor rights. Perhaps there will come a time when we can move forward again, together. Charles Jones and John Lewis make me believe that time is now.
A summer saunter around Charlotte, Cornelius and Davidson, NC
The collective at the Thornton Road Studios, located by ABGB at Oltorf and Thornton Road boasts an important victory for artists trying to live and work in Austin. In February, the Austin City Council decided 10 -1 in favor of denying a request for a zoning change, which would have razed the studio complex in favor of a mixed use development (read more condos). It seems that every available parcel of land in South Austin is being gobbled up, transforming lush, green tracts on Del Curto Drive and Clawson Lane into crowded, condo tunnels. Mayor Steve Adler has launched the Austin Music and Creative Omnibus Resolution which seeks input from the creative sector on keeping Austin artist friendly, stemming the tide of increasingly unaffordable housing and venue loss. In short, a battle for the soul-y of our city and I don’t just mean our “brand.” This is one of a series of posts about the summits, which The Austin Chronicle reported on in April.
In addition to the creation of a Cultural District downtown on Red River and the thinkEAST living and working development, I would encourage cultivating creative corridors that are already developing organically in South Austin (SOCO, SOLA and SOCHACA) and in North Austin (BURO). Rather than building new units, it might be wise for the city to reclaim and upgrade apartments and offer grants to venues (like Strange Brew) that share an intention to grow collaboratively with other vendors or partners like ACC.
Following Maceo with Prince, transcendent even in death. Dionysus will return in another form, but Prince will remain the Master of Funk. David Bowie might have loosed the bonds of gender, but Prince made it so very sexy. And he wasn’t stingy, sharing that sexiness with his crew, mostly women, much like Dionysus. Tearing it up on the dance floor instead of in the forest, roving bands of high heeled men and women partook of the sacrament of sex, offered by his highness. Prince confronted the issues of the day, operating as a cultural icon, an oracle for a generation straddling Boomers and GenX.
Turning out the joint in Detroit with dance, sex, music, romance. From the Musicology Tour. School’s in people!
Prince’s managed his public persona like his stagecraft. His reserve, the dignity and lack of pretense made him one of the locals in Minneapolis and gave him a measure of privacy few icons retain. Enigmatic, seductive, ageless and generous, not seeking anyone’s approval.
Deeply religious, Prince lived his faith rather than proselytizing, despite becoming a Jehovah’s witness.
One of his hardest fought (and won) battles was for the rights to his music. Struggling over decades, he took back control of his catalogue and his image. His decision to release his new album HitNRun on Tidal, Jay Z’s streaming service was a fresh start, one that other artists are pursuing.
“Prince has always been a visionary, a free-thinker. We’re honored to offer his breadth of work, 1999,Purple Rain, etc., music that has inspired so many, on Tidal. We’re also excited to be the home for his new upcoming album, HitNRun. Both Prince and Tidal share the belief that all creatives should have the opportunity to speak directly to those that love and support them. This partnership with Prince represents Tidal’s philosophy in its truest form, a 1 to 1 connection and direct delivery of artistry to the world.” Jay Z
The artist, the lover, the soul of funk: Prince’s music will continue providing inspiration to musicians across genres – Don’t believe me just watch.
My first trip to the new Antone’s was also my first live Maceo Parker experience. I’ve been a fan since his James Brown days, then Parliament, Life on Planet Groove and beyond. He’s still 2% jazz and 98% funky. The band featured in the video below includes: Maceo Parker (sax/flute/vocals), Dennis Rollins (trombone), Will Boulware (keys), Bruno Speight (guitar), Rodney “Skeet” Curtis (bass), Marcus Parker (drums), Martha High (vocals) and Corey Parker (vocals).
Hard to keep the camera still when you gotta shake everything you got. Happy music for him and all the fans getting their groove on. I liked the new Antone’s location, next to Eddie V’s and the Russian House, which long since replaced Amdur gallery on 5th. What’s old is new on a block where I worked and played for many years.
Mobile Loaves and Fishes and a consortium of private partners and foundations have created a community for homeless residents that could serve as a template for many who are interested in sustainable co-housing . The village consists of tiny homes, tent and teepee dwellings with a section for RVs with hook ups. Residents pay rent, ranging from $225 to $400 (all bills paid) depending on whether they opt for a tent, RV or house.
The collaboration of non-profits, architects and Austin residents has come together in ways that highlight their talents and commitment. As you walk the grounds, the feeling of being in a village built to encourage community, while still allowing for privacy and uniqueness is reflected in the diversity of homes and styles, obviously crafted with pride and creativity. It is a very human community on 27 acres designed to be partially self-sustaining.
Bath houses with private shower and toilet facilities and a community kitchen, gardens, a chicken coop and a small herd of dairy goats provide work, sustenance and healthy social opportunities. Bee hives are planned and an art house, a forge and onsite wi-fi will support micro-enterprise development and job seekers who wish to reenter or join the workforce. Onsite health services and a new bus stop en route to Austin help residents take care of their basic needs and participate in the care and support their evolving community provides. Members of the Mobile Loaves and Fishes mission are in residence to assist and counsel those with questions or concerns. As Sociology doctoral student, Brandon Robinson said, “This is a dissertation waiting to happen.” The data from this project will be invaluable in funding future villages and in keeping this one viable. From Invisible in Austin to Community First, there is plenty for our ethnographers to research.
Mobile Loaves and Fishes has been a source of sustainment and support for hungry people in Austin for many years. Their model of community first is an inspiration to many who have partnered to turn this idea into an exciting reality, founded on love and respect. They = we.